Joss just brought to the movie what good directors bring, which is good taste. A sense of what’s gonna work in the story and what isn’t.
An instinct for realism and for finding the humanity in the characters and the humanity in the conflict, then making it accessible and relevant. I think that’s one of the things he did so well with Avengers, frankly.
He really defined the tone, and it felt like a lot of the movies after that sort of fell into that tone that he created.
It was a very tricky dance where you have all these people who can do all these fantastic things that’s completely absurd on the face of it, and yet, a good storyteller like Joss brings us in, makes us identify with them, makes them seem real, and makes it interesting.
A lot of guys know the comic books, a lot of people have that knowledge base. What Joss really has is talent.
I wish I had the gift that he has for identifying what’s the most compelling human drama in the context of superhero conflict. But he has a very sharp mind for it. He knows exactly what he wants, almost with a surgeon’s kind of precision.
He focuses in, beat by beat, on how he’s telling the story, exactly where he’ll be editorially.
What the tenor of delivery of a line should be like. He gives you comfort because you feel like he has a very clear idea of what he wants, what he expects and, most importantly, what he thinks will work.
4 comentarios:
Si corto 50 minutos cuanto duraba de inicio porque creo que el corte que se quedó dura casi tres horas
Lo tiene complicado para cambiar totalmente a los personajes de la otra película, aunque bueno, a Clark le cambiaron toda la relación con su padre por la cara y sin problemas...
Facil las 2 horas 50 minutos pasaran a ser 2 horas 30 min, editando se volaron 20 minutos y reemplazaron 30 min junto a escenas adicionales.
Está siendo un buen año en películas de superhéroes. Con fe que termine bien.
"ha CORTADO 50 MINUTOS del metraje rodado por Snyder"
Más o menos lo que le sobraba a BvS: la escena de Costner, la recuperación de la kryptonita, casi todas las apariciones de Holly Hunter, el sueño con los parademonios y la trama de Lois con la bala, que no llevaba a ninguna parte. En cuanto a la presentación de la Liga, más valdría haberla dejado como escena post-créditos.
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