¡Da igual, mola!
We’re just starting the edit. The brothers have worked on their cut, and we’ve been together in the editing room for a couple weeks now, so it’s very early days. But it’s much earlier than usual, right?
Usually we’re still filming. Captain Marvel comes out in March, while this one comes out in May and we’re already starting. It’s fun to get a jump, it’s good having already shot the majority of the movie. So we’re just getting into our traditional editorial process now.
Theoretically. We try – what’s the analogy, that a goldfish will grow to the size of the bowl? Ant-Man and the Wasp had very little post and yet we made a lot of strides in post, and we did a lot of very good maneuvering on it with the limited time we had.
Avengers 4 has much more time; Ragnarok had much more time and we did a lot. You always fill the time you have. Either you have a lot of time and it really motivates you to think things through, or you have no time, and it really motivates you to think things through!
The main strategy is that in many ways I feel like we’re still in the midst of delivering on the promise from that last event!
We’ve still got Captain Marvel and Avengers 4. Those are the big ones left to go, having just finished this. So it’s about completing the promise before you start promising a whole lot of other things.
Obviously people are aware of Spider-Man: Far From Home, and Guardians 3, which James [Gunn] gets into prep on very soon. Outside of that, we like the idea of having the world do what we’re doing, which is focusing on the immediate future.
Once that happens, we will – I don’t know that we’ll do exactly the same kind of thing, that many years out – but there are secret vaulted doors in Marvel Studios that lead to essentially what we’ll be doing between now and 2024.
INFINITY MARVEL, si vais al REINO CUÁNTICO...¡¡¡Cuidado con los Vortex Temporales!!!
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