Y de la JUSTICE SOCIETY a nuestros KNIGHTS OF JUSTICE para BIG BANG COMICS, que podéis adquirir en este link.
Mostrando entradas con la etiqueta Paul Smith. Mostrar todas las entradas
Mostrando entradas con la etiqueta Paul Smith. Mostrar todas las entradas
sábado, 3 de febrero de 2024
LA EDAD DE ORO: JUSTICE SOCIETY OF AMERICA, POR PAUL SMITH, COLOR DE RICH SEETOO
Hay que agradecer a este colorista el tiempo y dedicación que se ha tomado para que podamos disfrutar de estos dibujos de Smith en toda su gloria. 
Y de la JUSTICE SOCIETY a nuestros KNIGHTS OF JUSTICE para BIG BANG COMICS, que podéis adquirir en este link. 
Y de la JUSTICE SOCIETY a nuestros KNIGHTS OF JUSTICE para BIG BANG COMICS, que podéis adquirir en este link.
domingo, 19 de julio de 2020
PAUL SMITH: DIBUJANDO A LOMOS DE UNA HARLEY
Por supuesto, no todos los autores son iguales en el trato profesional, unos son más "dóciles" y tienen una ética de trabajo distinta de los demás, otros son más difíciles, por cualesquiera las razones y a esos símplemente hay que darles aún más razones para sentarse a trabajar y esmerarse en las relaciones.
Cuentan que a Smith lo que le gusta es recorrer las inacabables carreteras americanas montado en su moto.
¡PERO QUÉ GRAN FRACASO PARA LA INDUSTRIA EL NO HABER CONTADO CON EL DE MANERA MUCHO MÁS REGULAR!
Cuentan que a Smith lo que le gusta es recorrer las inacabables carreteras americanas montado en su moto.
¡PERO QUÉ GRAN FRACASO PARA LA INDUSTRIA EL NO HABER CONTADO CON EL DE MANERA MUCHO MÁS REGULAR!
lunes, 12 de septiembre de 2016
SCOTT DERRICKSON HABLA SOBRE DOCTOR STRANGE, THE ANCIENT ONE Y WONG
"If your love for the early Stan Lee-Steve Ditko comics was that visual, psychedelic ambition, I think you’ll be pretty satisfied. The primary resource for the visual design of the whole movie came from those comics."
"You feel that he can play the intelligence, the arrogance, the unlikability and yet intrigue of Stephen Strange and that the massive arc that the character goes through in those early comics is something that he would be able to portray."
"Tilda was a way of adding diversity in terms of not just an ethereal, enigmatic, otherworldly actress playing an ethereal, enigmatic, otherworldly character, but we’re bringing a middle-aged woman who’s not 28 years old in leather pants into the Marvel Universe in a major role."
"I was going to leave Wong out of the movie at first; he was an Asian sidekick manservant, what was I supposed to do with that?
Unlike the Ancient One, he could be completely subverted as a character and reworked into something that didn’t fall into any of the stereotypes of the comics."
"You feel that he can play the intelligence, the arrogance, the unlikability and yet intrigue of Stephen Strange and that the massive arc that the character goes through in those early comics is something that he would be able to portray."
"Tilda was a way of adding diversity in terms of not just an ethereal, enigmatic, otherworldly actress playing an ethereal, enigmatic, otherworldly character, but we’re bringing a middle-aged woman who’s not 28 years old in leather pants into the Marvel Universe in a major role."
"I was going to leave Wong out of the movie at first; he was an Asian sidekick manservant, what was I supposed to do with that?
Unlike the Ancient One, he could be completely subverted as a character and reworked into something that didn’t fall into any of the stereotypes of the comics."
sábado, 10 de septiembre de 2016
LAS MEJORES HISTORIAS DE DOCTOR STRANGE
Me he topado con esta lista y pienso que, con la peli en ciernes, igual algunos nuevos fans del personaje se quieren documentar sobre el para disfrutarla (o sufrirla...) mejor.
En otros tiempos, hubiese hecho yo la mía propia, más ajustadita, pero ahora, bueno, solo os recomiendo que no os perdáis la etapa de Rogern Stern.
¡Mas los originales, de Ditko, claro...!
De regalo, un peculiar cruce entre Doctor Strange y Leave it to Chance, una serie de Robinson y Smith que terminó demasiado pronto.
Y un cruce de los dos personajes de Ditko, que seguro vemos en la pantalla.
Por cierto...¡¡¡QUE GRAN SPIDER-MAN HUBIESE HECHO PAUL SMITH!!!
Podéis añadir en los comentarios vuestras historias favoritas, o comentar las que ahí se sugiere.
En otros tiempos, hubiese hecho yo la mía propia, más ajustadita, pero ahora, bueno, solo os recomiendo que no os perdáis la etapa de Rogern Stern.
¡Mas los originales, de Ditko, claro...!
De regalo, un peculiar cruce entre Doctor Strange y Leave it to Chance, una serie de Robinson y Smith que terminó demasiado pronto.
Y un cruce de los dos personajes de Ditko, que seguro vemos en la pantalla.
Por cierto...¡¡¡QUE GRAN SPIDER-MAN HUBIESE HECHO PAUL SMITH!!!
Podéis añadir en los comentarios vuestras historias favoritas, o comentar las que ahí se sugiere.
lunes, 19 de mayo de 2014
JUSTICE SOCIETY: NOT FORGOTTEN (36)
Esta imagen promocional de The Golden Age la llevo buscando mucho tiempo, y ahora la he encontrado entre los dibujos del propio Paul Smith.
Una obra FUN-DA-MEN-TAL que todo aficionado a los superhéroes debe poseer.
Una obra FUN-DA-MEN-TAL que todo aficionado a los superhéroes debe poseer.
jueves, 25 de julio de 2013
PREVIEW ROCKETEER/SPIRIT # 1
¡Nuevas paginitas del legendario dibujante motero!
¿Se estará quieto lo suficiente como para terminar la serie...? ;-)
¿Se estará quieto lo suficiente como para terminar la serie...? ;-)
sábado, 30 de marzo de 2013
PAUL SMITH REGRESA PARA DIBUJAR SPIRIT/ROCKETEER
Paul Smith es una de esas "leyendas vivientes" que al parecer es tan admirado y perseguido como difícil de sentar en una mesa de dibujo.
IDW se marca un nuevo tanto consiguiéndolo, y no solo eso, sino que consiguen también la licencia (para este cross-over) de Spirit.
Si hacen un trabajo tan bueno como con Rocketeer, los cómics pueden ser geniales.
Este lo guioniza Mark Waid, que ha estado trabajando en la serie del susodicho.
IDW se marca un nuevo tanto consiguiéndolo, y no solo eso, sino que consiguen también la licencia (para este cross-over) de Spirit.
Si hacen un trabajo tan bueno como con Rocketeer, los cómics pueden ser geniales.
Este lo guioniza Mark Waid, que ha estado trabajando en la serie del susodicho.
martes, 19 de marzo de 2013
MORRISON PSICODÉLICO
La última entrevista de Morrison en Newsarama no tiene desperdicio:
Sobre Damian:
"I've always liked him, even when he was horrible! [Laughs.] So yeah, there were moments, you know? I could have written Batman and Robin a lot longer, and Damian could have had more of a life. I would have taken him up to the age of 14, where then he sells his soul to Dr. Hurt, or to the devil, and I'd play out that story. But you know... it just didn't play that way.
"So yeah, he could have done a lot of different things. But ultimately, it had to come to this moment. And that's the moment he came to."
Sobre su posible resurreción:
"It's certainly not going to happen in my story. So all the people that are hoping for a happy ending for Damian can forget it."
Sobre como Batman se vuelve más real cuanta más versiones auna:
"I think the guy is big enough and strong enough to cover a whole range, you know? From the brooding, psychopathic Batman that was done in the '80s or early '90s, to the super-detective, Denny O'Neill, all-around sex god Batman, the Frank Miller hulking, physical Batman — they're all part of the character.
I think the wider the spectrum you have, then the more real he becomes."
"So by taking all of his publishing history as his life, you actually get a really great character out of it, you know? You can put every Batman — even Adam West — into the life of this guy. And it makes him, for me at least, much more rounded then the kind of slice of character that sometimes gets used, this one-dimension monster.
Batman's been a lot of things, and if you can encompass all those things, I think it's much more true."
Sobre su Wonder Woman (Dios nos pille confesados):
"With Wonder Woman, I kind of read a bunch of stories and then ignored them all. This is like a completely new version of Wonder Woman."
Sobre el cambio a New 52:
"The New 52 feels strange because I was so used to the old 52, or whatever it was [laughs]."
"I want to say, I don't think it's going to go back, because who would want it to? It would be horrible."
Sobre el psicodélico final de su etapa de Action:
"But in Action Comics, Superman can come to the reader and say, if we all do this one thing, we can kill the devil. And you have to just accept it. And you take sides in it. And it couldn't happen anywhere else. That's why it's psychedelic to me, you know? I want everyone to read it. It's like doing a magic spell, because Superman is up against magic, and the fifth dimension. So that's what it's kind of like, it's that moment when Superman asks us to do the impossible."
Sobre lo duradero de las contribuciones a los Universos de ficción:
"Yeah, but if you're contributing to a universe like DC and Marvel, you're handing stuff over. And someday — whether it's not today — some kid will read one of my stories and he'll bring it back in 15 years.
But that's what's exciting about these ongoing universes. You can come in and you can add a little piece of a mosaic, and someone else might do something even bigger and better with it.
You know, Geoff Johns is doing Vibe now. I bet you the guys who came up with Vibe didn't think he would come up again in a story by Geoff Johns. [Laughs.]"
En fin, no es que sea muy lucido su trabajo en la DC actual, pero cuando se vaya vamos a echar de menos lo preclaro de su mente.
¡Aquí hay temas de debate para aburrir, si os animáis!
Sobre Damian:
"I've always liked him, even when he was horrible! [Laughs.] So yeah, there were moments, you know? I could have written Batman and Robin a lot longer, and Damian could have had more of a life. I would have taken him up to the age of 14, where then he sells his soul to Dr. Hurt, or to the devil, and I'd play out that story. But you know... it just didn't play that way.
"So yeah, he could have done a lot of different things. But ultimately, it had to come to this moment. And that's the moment he came to."
Sobre su posible resurreción:
"It's certainly not going to happen in my story. So all the people that are hoping for a happy ending for Damian can forget it."
Sobre como Batman se vuelve más real cuanta más versiones auna:
"I think the guy is big enough and strong enough to cover a whole range, you know? From the brooding, psychopathic Batman that was done in the '80s or early '90s, to the super-detective, Denny O'Neill, all-around sex god Batman, the Frank Miller hulking, physical Batman — they're all part of the character.
I think the wider the spectrum you have, then the more real he becomes."
"So by taking all of his publishing history as his life, you actually get a really great character out of it, you know? You can put every Batman — even Adam West — into the life of this guy. And it makes him, for me at least, much more rounded then the kind of slice of character that sometimes gets used, this one-dimension monster.
Batman's been a lot of things, and if you can encompass all those things, I think it's much more true."
Sobre su Wonder Woman (Dios nos pille confesados):
"With Wonder Woman, I kind of read a bunch of stories and then ignored them all. This is like a completely new version of Wonder Woman."
Sobre el cambio a New 52:
"The New 52 feels strange because I was so used to the old 52, or whatever it was [laughs]."
"I want to say, I don't think it's going to go back, because who would want it to? It would be horrible."
Sobre el psicodélico final de su etapa de Action:
"But in Action Comics, Superman can come to the reader and say, if we all do this one thing, we can kill the devil. And you have to just accept it. And you take sides in it. And it couldn't happen anywhere else. That's why it's psychedelic to me, you know? I want everyone to read it. It's like doing a magic spell, because Superman is up against magic, and the fifth dimension. So that's what it's kind of like, it's that moment when Superman asks us to do the impossible."
Sobre lo duradero de las contribuciones a los Universos de ficción:
"Yeah, but if you're contributing to a universe like DC and Marvel, you're handing stuff over. And someday — whether it's not today — some kid will read one of my stories and he'll bring it back in 15 years.
But that's what's exciting about these ongoing universes. You can come in and you can add a little piece of a mosaic, and someone else might do something even bigger and better with it.
You know, Geoff Johns is doing Vibe now. I bet you the guys who came up with Vibe didn't think he would come up again in a story by Geoff Johns. [Laughs.]"
En fin, no es que sea muy lucido su trabajo en la DC actual, pero cuando se vaya vamos a echar de menos lo preclaro de su mente.
¡Aquí hay temas de debate para aburrir, si os animáis!
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