El productor recupera las derechos de su franquicia, y está dispuesto a crear una NUEVA TRILOGÍA.
Regresan Schwarzenegger y Linda Hamilton, y dirige Tim Miller, de Deadpool.
“I got out of the Terminator business after Terminator 2 because I didn’t control the underlying IP. I had sold it off very early on when I was nobody, not a director, nothing, and I was just thrilled to be working on a movie.
You know, when I became aware of the fact that I could get back into a control position on the rights, then I started to ask myself, artistically, is there anything there? Is there anything to be said that I haven’t already said, and that would even be relevant in the 2020s, when these hypothetical films would come out? I thought, ‘Well, let’s look at that.’
I mean, a lot of the things that were science fiction in Terminator are now around us. You know, from predator drones and actual discussions on the ethics on having a robot have its own kill decision possibilities, things like that.
It’s actually happening. So, Okay, maybe there is room for a film that examines these themes. It just has to be retooled for an audience’ expectations from now.”
“This is a continuation of the story from Terminator 1 and Terminator 2. And we’re pretending the other films were a bad dream. Or an alternate timeline, which is permissible in our multi-verse.
This was really driven more by [Tim] than anybody, surprisingly, because I came in pretty agnostic about where we took it. The only thing I insisted on was that we somehow revamp it and reinvent it for the 21st century.”
“We don’t have to get around it. The beauty of it is, he’s a cyborg, and so the ‘org’ part is on the outside, meaning organism. And Reese says it in the first film, ‘They sweat. They have bad breath,’ because they were supposed to be infiltration units. So there’s the idea that there’s this flesh, sort of, sheath over a metal endoskeleton, and so that would age. And so it ages normally.
So, obviously he’s one that’s been in action and operation for a long time. And that’s all I want to say about the actual story part of it. But it’s actually quite intrinsic to the story, that he’s subject to the frailties of the flesh. In fact, in the first film, the flesh is burned away completely but that endo-skeleton… has a power cell that will last 100 years. So, he’s still got 30, 29 years.”
“Emotionally and intellectually, he will have evolved. They’re learning machines. But I think that’s a way to make it different than it was. I think we should embrace his age. And that’s what’s going to make it interesting and fresh for the fans. And I can’t tell you, but man, some of the scenes that the writers wrote to embrace that idea are f–king fantastic.”
"that endo-skeleton… has a power cell that will last 100 years. So, he’s still got 30, 29 years."
ResponderEliminarParecen buenas noticias. Cameron garantiza una excelente factura técnica y Miller rodará escenas de acción muy bestias (espero), pero quizá deberían hacer toda la película digital como la de Beowulf. O sea, ¿TREINTA AÑOS sin que se note a muerte el CGI? Y esperemos que esta vez sí modernicen al personaje. Hasta ahora han ignorado que estamos en la época de Internet, los móviles, las cámaras de seguridad y los drones.
Lo mejor de las últimas tres películas:
-T-3: La aparición de Arnold en el desierto y su desternillante irrupción en un bar de striptease. El T-X en el coche con los dos policías. La forma de "volver" de Arnold.
-Salvation: Los primeros veinte minutos en zona de combate, con un Connor cañero y la escena del helicóptero. El resto de la película tiene menos acción que este trailer, lo que es muy triste:
https://www.youtube.com/watch?v=ZYE3pbMMaGY
-Génesis: La primera parte hasta el aparcamiento (o sea, todos los giros y sorpresas) y la pelea final dentro de la máquina temporal, que habría sido un gran final de trilogía.
Precisamente esos temas se exploraron ya en la serie de televisión Sarah Connor Chronicles.
ResponderEliminarMe alegra de que los retomen.